Movement focus: absurdist fiction

Absurdist fiction doesn’t take itself too seriously – it relies heavily on comedic and surreal elements to explore darker themes such as existentialism. Oftentimes, absurdist fiction is told non-chronologically, and elements of the story will slowly emerge over time from their wacky backdrops.

In the first movement focus blog post, we’re going to be taking a deeper dive into the absurd, the ridiculous and the preposterous. The etymology of ‘absurd’ comes from the Latin absurdum, meaning ‘out of tune’ – which is a lovely way to put it!

Additionally, absurdist fiction tends to be an outlier compared to many other types of writing, as it does not directly appeal – it is concerned with individualism and will usually focus on one character or group of people in particular in order to focus on their raw, innermost feelings regarding their existence.

Existentialism or nihilism are usually go-to topics to cover in absurdist writing, as they are very interesting to cover and gauge a character’s reaction to. Alongside this, irrational logic and surrealist happenings are often used to throw a spanner into the works of anything that makes too much sense.

Absurdism is very closely linked to satire, as well as social criticism – no one is safe as this can cover lots of ground like society, government, corporations or other topics. Often, the genre can be useful for obscuring information so that only the most clued-up readers can peel away the layers to get at the alternate meanings underneath.

  • Waiting for Godot by Samuel Beckett
  • The Metamorphosis by Franz Kafka
  • The Stranger by Albert Camus
  • Through the Looking-Glass by Lewis Carroll
  • Kafka on the Shore by Haruki Murakami

The genre has also dwarfed its rather humble origins, and lays its spindly fingers in many other forms of work. Magical realism has some absolutely stupendous examples of absurdism, such as Yukiko Motoya’s Picnic in The Storm – among countless brilliant others.


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